By Henry Aceves, Production Dramaturg (NewFest New Play Workshop: Amanuensis, or The Miltons) Our playwright, L, describes Amanuensis, or The Miltons as “a tale, a grapple, a loosely-historically-based feminist fantasia.”…
by Henry Aceves, Production Dramaturg (NewFest New Play Workshop: Amanuensis, or The Miltons) Paradise Lost has been considered an essential work in the English literary canon since the first…
By Jake Mouchawar, Production Dramaturg for Squeaky Fromme Love Song Before James La Bella’s new play Squeaky Fromme Love Song, the 1990 cult musical Assassins was the first (and only) fictional…
Our 2020–2021 season explores the question “What are you working to build?” We will feature stories of working to build new societies, both through kindness (Godspell) and force (The Resistible…
By Olivia Ek, Production Dramaturg (Good Breeding) Robert O’Hara’s Good Breeding, as a contemporary adaptation of a Greek classic, is concerned less with keeping the Oresteia’s plot completely intact and…
By Brenna Epstein (Cunningham in The Last Days of Judas Iscariot) What makes this rehearsal process so special for me is that this role is, by far, the most challenging…
By Sivan Amir, Production Dramaturg Stephen Adley Guirgis, the playwright of The Last Days of Judas Iscariot, puts a spin on the traditional Biblical tale placing Judas in a courtroom…
By Brenna Epstein (Assistant Costume Designer, 10 Out of 12) Can you imagine a world where every day feels like a tech rehearsal? I can. I’ve been living in it…
by Alison Qu, 10 Out of 12 Production Dramaturg 10 Out of 12 was born in 2015 at Soho Repertory Theater, a small theater located in the middle of what…