THE GREAT GOD PAN

Creative Team Bios

JONATHAN KITT — Director
Emerson Stage Director debut! Directing credits: Late Bus To Mecca, Yellowman, for colored girls…, 4.48 Psychosis, In Real Life, Songs For A, New World, Gee’s Bend, School Girls…, Holly Down In Heaven, Gem of the Ocean, In The Continuum. Acting credits: Off Broadway: Boy x Man (Negro Ensemble Company). Off-Off Broadway: Becoming Something: Canada Lee (The Kraine Theater), Blues For an Alabama Sky (NYU Gallatin School), The Mighty Gents (African American Showcase Theatre). Regional: August Wilson’s The Piano Lesson, (Actor’s Shakespeare Project and Shakespeare and Company), Toni Stone (Huntington Theatre); Knives In Hens (The Vineyard Playhouse); North Folk and Ends (New Jersey Repertory Company); Servant of the People and Julius Caesar (Jomandi Productions). Film: Unexpected (Student Teacher LLC). TV: Crisis (NBC); Chicago Fire (NBC). Education: MFA (The Theatre School at DePaul University). He is an Assistant Professor of Scene Study/Acting at Emerson College. jonathankitt.com

ELODIE LAMBERT (she/her) — Scenic Designer
BFA ‘27 Theater Design/Technology. Emerson Stage Credit: Head Over Heels (Asst. Technical Director), Amour (Asst. Scenic Designer). Emerson College credit: Rareworks’ Stains (Co-Scenic Designer). Thanks to all the other designers for their hard work!

EVELYN WALYUS (she/her) — Costume Designer
BFA ‘27 Design and Technology. Emerson Stage credits: Imogen Says Nothing (Assistant Costume Designer), Red Wolf (Wardrobe Supervisor), Amour (Assistant Wardrobe Supervisor), A Doll’s House (Assistant Wardrobe Supervisor). Emerson College credits: MTAG’s Daddy Long Legs (Ccostume Designer) and The Guy Who Didn’t Like Musicals (Costume Designer), Mercutio Troupe’s The Effect (Co-Costume Designer) and My Dearest Apologies (Assistant Costume Designer). Thank you to my family and my roommates for all of the support! @evelynwalyus

GRACE ELPHINSTONE (she/her) — Lighting Designer
BFA ’26 Theatre Design & Technology. Emerson Stage credits: Amour (Lighting Designer), Red Wolf (Production Electrician), BONNETS: How Ladies of Good Breeding Are Induced to Murder (Assistant Lighting Designer), Natasha, Pierre, & the Great Comet of 1812 (Assistant Lead Electrician), Little Women (Dramaturg). Emerson College credits: Kidding Around’s Dear Morgan Le Fay (Lighting Designer), Mercutio Troupe’s Room 333 (Lighting Designer). Regional credits: Baby and Sunday in the Park with George (Costume Intern) at Pittsburgh’s Front Porch Theatricals. Thank you so much to my friends, family, Kirby, and Francis for their endless love and support!

SKYLAR D’AMORE (she/her) — Sound Designer
BFA ’27 Theater Design and Technology. Emerson Stage credits: The Impracticality of Modern Day Mastodons (Asst. Production Sound Engineer), Natasha, Pierre, & the Great Comet of 1812 (Asst. PSE), POTUS (PSE), The Miraculous Journey of Edward Tulane (Asst. PSE), I Love XXX (Asst. Sound Designer), and Head Over Heels (Asst. PSE/A2). Emerson College credits: Rareworks Theatre Company’s Stains (Sound Designer), Musical Theatre Society’s Sunday in the Park with George (Sound Designer), Musical Theatre Against the Grain’s Hair (Asst. Sound Designer), Mercurio Troupe’s The Effect (Asst. Sound Designer), and EmShake’s No Exit (Sound Designer).

MJ FOX — Props Lead
BFA ‘26 Theatre Design and Technology. Emerson Stage credits: Amour (Scenic Designer), Second Star To The Right (Asst. Technical Director), Bat Boy (Asst. Props), Little Women (Asst. Scenic Designer), The Loyals ( Asst. Props/Scenic Designer).

KYLAH NEE (she/her) — Stage Manager
BFA ’26 Stage and Production Management. Emerson Stage credits: Mary Sweet Mary (PA), How We Got On (2nd ASM), Head Over Heels (1st ASM). Emerson College credits: Mercutio Troupe’s Our Dear Dead Drug Lord. Outside Credits: Boston Ballet Summer Season 2025 (PA), The American Ballet Theatre Summer Season 2025 (PA). Thank you to my family for encouraging me to dream and helping me live them. Mahal Kita.

JENNA THOMAS (she/her) — Production Supervisor
BFA ’26 Stage and Production Management. Emerson Stage credits: Natasha, Pierre, & the Great Comet of 1812 (2nd Assistant Stage Manager), The Miraculous Journey of Edward Tulane (1st Assistant Stage Manager). Emerson College credits: Musical Theatre Against the Grain’s Tanner Maverick’s Book of Sound (Stage Manager), Kidding Around’s Tuck Everlasting (Stage Manager). Other credits: Prague Shakespeare Company’s Summer Shakespeare Intensive 2024 Measure for Measure (Stage Manager) and The Comedy of Errors (Stage Manager) Thanks to Eric, Angela, and Katie for all their incredible work this year. Thank you to my amazing pSupe team, Amit and Ben. You are rockstars! Find me and my website at @jennaskindafunny on Instagram.

XANDRIA BAO –– Dramaturg
BFA ’27 Theatre & Performance. Emerson Stage credit: I Love XXX (Ensemble). Emerson College credits: Assemblywomen and the Farce of Democracy (Elsa). Regional credits: Hairspray (Prudy), Time and The Conways (Joan Helford/Scenic Designer), Jack Studio Theatre’s Butterflies (Langhua’er), Peckham Fringe Festival’s Miracle (Alisa). To every young woman out there, we can do anything we put our minds to, don’t let anyone tell you otherwise. @xandria_wawa