An Overheard Conversation About Change, with Links, Courtesy of Cast Member Juliet Walker By Dante Flores, Production Dramaturg (After Caryl Churchill’s Love and Information) “I gave you $22.10” “What?”…
A World Without Water By Henry Aceves Dramaturg, Urinetown What if the world of Urinetown wasn’t so absurd after all? If everyday citizens could only use bathrooms patrolled by…
By Victoria Brancazio Dramaturg, Tiny Houses Emerson Stage’s NewFest New Play Workshop presents Tiny Houses, a play following the 2014 MH17 plane crash where three women find hope and agency…
By Jessica Costas Dramaturg – Who Donut? Hello and welcome to Arden Jurskis and Kenzy Peach’s ode to Boston, Who Donut?. Originally from Florida and California respectively, Jurskis and Peach…
By Ashmita Malkani BFA Stage & Production Management, ’19 Minor in Poetry, and Women’s, Gender, and Sexuality Studies Antigone: daughter and sister of Oedipus, sister of Ismene, Polynices, and Eteocles,…
BE BOLD, BE BRAZEN: An Interview with Melia Bensussen, Brazen Director and Playwright, and Masha Obolensky, Playwright The director and playwright of Brazen, Melia Bensussen and her co-playwright, Masha Obolensky have…
Dante Flores BA Theatre Studies: Acting ’19 A Google search for the phrase “Who is the better Darcy” yields 26,000,000 results. Within those are a wealth of pages, from blogger…
By Scott LaFeber Musical revues are a tricky species. Typically a favorite for producers, they usually feature small casts, a small orchestra, and minimal design, while being audience-popular. Revues available…
By Sallie Bieterman Dramaturg A Bright Room Called Day September 22-30, 2017 – Greene Theater A Bright Room Called Day occurs during the final days of the first democratically-elected government…